Brie Larson and Shailene Woodley  in New York Magazine, June 2nd 2014

Brie Larson and Shailene Woodley  in New York Magazine, June 2nd 2014

(Source: dailyactress, via coffeestainedcashmere)

smartgirlsattheparty:

clitterly:

emilyvgordon:

shepherdsongs:

I was driving past a business here in the Houston Heights, when I glimpsed this painted on the side of the building. I recognized that iconic WWII poster before I realized it was not just any woman, but 14 year old Malala Yousafzai, the Pakistani girl who was attacked for wanting an education. The words next to her are her quote, ( “I don’t mind if I have to sit on the floor at school.) All I want is education. And I’m afraid of no one.”

This is gorgeous.

yes

Love this. 

smartgirlsattheparty:

clitterly:

emilyvgordon:

shepherdsongs:

I was driving past a business here in the Houston Heights, when I glimpsed this painted on the side of the building. I recognized that iconic WWII poster before I realized it was not just any woman, but 14 year old Malala Yousafzai, the Pakistani girl who was attacked for wanting an education. The words next to her are her quote, ( “I don’t mind if I have to sit on the floor at school.) All I want is education. And I’m afraid of no one.”

This is gorgeous.

yes

Love this. 

(Source: pacountry, via awomaninscience)

(Source: tposternak, via melodyhansen)

nprbooks:

What’s black and white all over? The trailer for The Giver! Finally!
Back in March, the film’s publicity department mistakenly released the film’s first trailer in color — which, in case you aren’t familiar with Lois Lowry’s famous novel, doesn’t stay true to the story about a dystopian society that can’t see in color. Director Phillip Noyce told HuffPost Entertainment, “It was an error. It doesn’t reflect our interpretation of the novel. It doesn’t reflect the movie.”
They finally got it right in the film’s second trailer, which premiered earlier this month.
And speaking of The Giver, have you seen our Book Your Trip summer reading recommendations yet? Lowry’s classic is featured on the bike list alongside The Motorcycle Diaries and The Mouse and the Motorcycle. (Please, please, Noyce, don’t let them take out the bicycle too …)
-Intern Cara

nprbooks:

What’s black and white all over? The trailer for The Giver! Finally!

Back in March, the film’s publicity department mistakenly released the film’s first trailer in color — which, in case you aren’t familiar with Lois Lowry’s famous novel, doesn’t stay true to the story about a dystopian society that can’t see in color. Director Phillip Noyce told HuffPost Entertainment, “It was an error. It doesn’t reflect our interpretation of the novel. It doesn’t reflect the movie.

They finally got it right in the film’s second trailer, which premiered earlier this month.

And speaking of The Giver, have you seen our Book Your Trip summer reading recommendations yet? Lowry’s classic is featured on the bike list alongside The Motorcycle Diaries and The Mouse and the Motorcycle. (Please, please, Noyce, don’t let them take out the bicycle too …)

-Intern Cara

(via npr)

In fact a mature person does not fall in love, he rises in love. The word ’fall’ is not right. Only immature people fall; they stumble and fall down in love. Somehow they were managing and standing. They cannot manage and they cannot stand – they find a woman and they are gone, they find a man and they are gone. They were always ready to fall on the ground and to creep. They don’t have the backbone, the spine; they don’t have that integrity to stand alone.

A mature person has the integrity to be alone. And when a mature person gives love, he gives without any strings attached to it: he simply gives. And when a mature person gives love, he feels grateful that you have accepted his love, not vice versa. He does not expect you to be thankful for it – no, not at all, he does not even need your thanks. He thanks you for accepting his love. And when two mature persons are in love, one of the greatest paradoxes of life happens, one of the most beautiful phenomena: they are together and yet tremendously alone; they are together so much so that they are almost one. But their oneness does not destroy their individuality, in fact, it enhances it: they become more individual.


Two mature persons in love help each other to become more free. There is no politics involved, no diplomacy, no effort to dominate. How can you dominate the person you love? Just think over it. Domination is a sort of hatred, anger, enmity. How can you think of dominating a person you love? You would love to see the person totally free, independent; you will give him more individuality. That’s why I call it the greatest paradox: they are together so much so that they are almost one, but still in that oneness they are individuals. Their individualities are not effaced – they have become more enhanced. The other has enriched them as far as their freedom is concerned.


Immature people falling in love destroy each other’s freedom, create a bondage, make a prison. Mature persons in love help each other to be free; they help each other to destroy all sorts of bondages. And when love flows with freedom there is beauty. When love flows with dependence there is ugliness.


nprmusic:

Hear a new Alt-J song from its new album due out in September, This Is All Yours. 
Photo: Gabriel Green

nprmusic:

Hear a new Alt-J song from its new album due out in September, This Is All Yours. 

Photo: Gabriel Green

(via npr)